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Matija Schellander Solo
"Dangerfield" - Stereo. Double bass, street noise, speech. Released on the klingt.org - 10 jahre bessere farben 2CD sampler (mikroton recordings, Moscow).
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Metalycée
new release metalycée: "tell me" dilemma records One year after their highly acclaimed vinyl-longplayer "it is not", and after extensive studio work metalycee return with another vinyl release: this new 12" single by metalycee travels from hiphop to doom on an intricate and densely layered journey . A multi-dimensional blend of drums, bass and synthesizers is accomplished with melita jurisic's haunting vocals. The 9.33 min. depth of music, specially made for dilemma's great limited edition series, "tell me" evokes the band's new direction. The piece was written, recorded, mixed at minusgroundzero during 2009. with a superb vinyl master by castle mastering. This is a strictly 100 copies record release which after being sold out will not be relased again in this version. a01 tell me - 09:33 minutes
IT IS NOT (mosz020) order from www.interstellarrecords.com
Ashes to ashes, dust to dust... Sound. Experiment. Avant-garde. Ashes. Dust. Metal. From a disc of fully digitally processed drum and guitar samples developed in 2003 by Viennese sound artists Armin Steiner and Nik Hummer (who as part of Thilges3 operated on the cutting edge of art, noise and politics ) emerged the project Metalycée. A telling name, which tells of cerebral hardness, of guttural fantasy. A name, which does not give too much away. Since two years drummer Bernhard Breuer, bass guitarist Matija Schellander and singer Melita Jurisic completed the experimental growth, which did not evolve without consequence: The new album “It Is Not” belongs to another, more surreal tryst, between Free Jazz, Metal and, now, to HipHop. Those who need to name genres, may add Free Rap, even HipDrone, but nobody really needs categories. Above all, what concerns Metalycée is not awkward genre deconstructions, nor aimless experimentals. The concern is the whole, sublime truth of the sound. This truth is: there are no boundaries. “It Is Not” indicates that subtlety can also be deafening, that the most intensive noise can also consist of finesse. Or, more figuratively: “It Is Not” walks with a map of the South Bronx through Norwegian swamps, cesspools of beats, geysers of noise that break into industrial mud slicks. And over all that, over little death bells and deathly basses, comes the lyric furor of Melita Jurisic: Ashes to ashes, dust to dust…
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Low Frequency Orchestra
Angelica Castello, recorders, toys, elctronic devices
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